Wednesday, December 6, 2017

Christmas Trading Hours

Our December hours are

Mon to Fri   
10 - 5.30

Sat & Sun
10 - 5

We will be closed from Xmas Day and reopening Tue Jan 9th.

Thursday, November 30, 2017

North Melbourne Books December Newsletter - featuring Andy Mulligan

In the December edition of the North Melbourne Books newsletter we talk to English children's author Andy Mulligan about his new novel, DOG.

It's a wonderful story about eleven-year-old Tom who is having a hard time of it at school. He's also having personal troubles due to the fact his parents have broken up. When his father reluctantly buys him a dog, he couldn't be happier. But the dog, named Spider, has personal issues of his own. When Spider runs away from home, Tom must do all he can to be reunited.

This is a sweet and sensitive story about a boy and his dog, sure to appeal to all readers 9 years and up.

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North Melbourne Books talks to Andy Mulligan

North Melbourne Books: DOG tells the story of eleven-year-old Tom. He's being bullied at school, his parents have broken up and he's not talking to his mother. His father has reluctantly promised him a dog as a pet. When the promised dog finally arrives, he is named Spider. Like his owner, Spider is a bit of a sensitive soul and is worried about his place in the world. Despite wanting so much to be a good and obedient dog, Spider keeps getting himself into trouble. Worried at all the trouble he is causing Tom and his father, Spider decides to run away. What made you want to write a story with such vulnerable central characters?

Andy Mulligan: I’m interested in them, I suppose – and work on the assumption that we are all very anxious and very vulnerable most of the time, even if we get extremely good at hiding it. My memory of being a child is that going to a big new school is fraught with worries, and Tom/Spider is undoubtedly a version of me as I jumped to the wrong conclusions, got confused, lashed out, got hurt, sad and happy again. Sometimes we ache to go back to our childhood, but I think that’s usually because we ache to put things right, or have another go and do less damage. Writing DOG was very much about re-visiting anxious times, and remembering the wondrous relief when things turned out to be not as bad as you’d feared!

NMB: The cast of characters in DOG is so varied and vibrant. There's the self-absorbed cat Moonlight, Hilda the goofy fish, Buster the noble yet tough pit bull, Thread the menacing spider, Jesse the fox and Flea, who is of course a flea. How did you come up with all the characters? Did you choose favourite animals and insects to portray?

AM: Not really. I find the characters emerge instinctively as you hit obstacles in the story, or spot opportunities. Naturally, you want contrasts. The pit-bull was inspired by a terrifying poster on a train, inviting me to donate money to a charity that supported fighting dogs - dogs that had been mutilated in dog-fights. The poor creature staring at me looked so brain-damaged and sad I knew she had to come into the novel. As for the flea, I wanted someone strong, straight-forward and honest and loved the idea that something so tiny and despised could be that character. When you’ve spent time with a cruel, manipulative character – such as the spider, Thread – you yearn to balance it with someone as pure as the little moth. Writing DOG was a real joy.

NMB: The theme of the novel seems to be the importance of true friendship, despite the hardships. What does the story mean to you?

AM: It means a lot to me. It’s a love story, for one thing, and the pulse beating throughout is ‘be kind, and value those around you’ – which is hardly a profound thing to say, but it’s probably the most important thing one can ever learn. It’s very hard to sustain kindness, and live up to the standards we aspire to - because we all get distracted, let ourselves down and take advantage of other people. But the book is about people trying to be better. Tom and Spider discover unconditional love, and in the course of their odysseys learn to be a little wiser in the choices they make. ‘It’s a story about friendship’ sounds trite, but that’s exactly what it is. There is nothing more important than the bonds we forge with those around us, and if we can’t accept and value the love that’s offered we’re in for a very grim time. I’m not interested in getting other people to realize that: I’m trying to realize it myself. That doesn’t mean DOG is personal therapy: it means that just like most writers I raid the personal experiences I’ve had, and work through all those things that still torment and fascinate me.

NMB: DOG in some ways is reminiscent of children's books such as Piers Torday's Last Wild series, with its colorful animal characters, and R.J. Palacio's Wonder for its sensitive portrayal of troubled childhood. What children's writers do you count as influences?

AM: I’m afraid I stay away from other children’s writers, for fear of being frozen with envy – and I dread accidentally copying or stealing. So my influences are from a long time ago – Enid Blyton, who told good, quick stories. I love AA Milne for the profundity of such simple-seeming characters and tales, and there’s a truly terrifying book called Marianne Dreams by Catherine Storr that often comes back to me. I read it when I was 10 and it haunted me – I think it made me realize how psychologically powerful books could be. But the great Anthony Buckeridge is always a ghost in my study, too – a beautiful writer of school stories, that still make me cry with laughter. He was the children’s PG Wodehouse. When I’m writing, I always have a Dickens on the go. If I ever get stuck, twenty minutes with Charles unsticks me.

NMB: What books are you enjoying reading at the moment?

AM: I’m re-reading Great Expectations and have just started Monica Ali’s Brick Lane having heard a lovely interview with her.

DOG, by Andy Mulligan. Published by Pushkin Children's. RRP: $19.99

Release date 18th December

Wednesday, November 29, 2017

Dog, by Andy Mulligan

Staff review by Chris Saliba

A sweet and sensitive story about a boy and a dog both experiencing personal troubles.

Eleven-year-old Tom is having a hard time of it. He is being bullied at school, his parents have broken up and he’s not talking to his mother. His father has reluctantly promised him a dog as a pet. When the dog finally arrives he is named Spider, because of his long, spindly legs.

Spider the dog is having a rough time himself. He was the last of the litter to be chosen. His looks aren’t the best, with his front protruding tooth. A spider named Thread has also made his first few days on earth upsetting. While anxiously waiting for someone to choose him as a pet, Thread the spider descended and told Spider that no one wanted him, that he was too much trouble. Spider doesn’t want to believe this, but his confidence is shaken. Is it really true that no one wants him? Luckily Spider is eventually chosen and gets to live with his new owner.

Tom and Spider become best friends immediately. They sleep in the same room, even though Tom’s dad has forbidden it. A spanner is thrown in the works when Spider realises that Thread, the menacing spider, has secretly followed him to his new home, setting up house in Tom’s room. He continues to bother Spider, undermining his confidence. This leads indirectly to Spider causing all sorts of terrible accidents, getting Tom deeper and deeper into trouble. When Spider realises all the trouble he’s causing, he runs away.

Andy Mulligan’s DOG is both plaintive and funny, with a cast of brilliant animal characters. There’s Moonlight the precious and vain cat, Hilda the goofy fish, Jesse the fox, Buster the tough but noble pit bull and Flea, a very helpful flea. The story mixes elements of R. J. Palacio’s Wonder in its sympathetic portrayal of a boy’s inner life with the innovation of Piers Torday’s The Last Wild trilogy. Andy Mulligan’s writing has a wonderful lightness and pace, while his dialogue has the natural tone of everyday speech.

A story with a sensitive emotional core that is sure to appeal to readers 9 years and up.

DOG, by Andy Mulligan. Published by Pushkin Children's. ISBN: 9781782691716  RRP: $19.99

Release date 18th December

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Sunday, November 26, 2017

Belonging: The Story of the Jews 1492 - 1900, by Simon Schama

Staff review by Chris Saliba

Simon Schama's Jewish history is warm, witty and life affirming.

Simon Schama’s Belonging: The Story of the Jews 1492 – 1900 is the second instalment of his esteemed Jewish history, following Finding the Words 1000-1492.  The story starts with David the Reubenite, a fifteenth century Jewish mystic who believed himself to be a member of the original Biblical tribe of Reuben and ends with Theodor Herzl, the political activist and writer who is considered one of the founders of the Jewish state in Palestine. In between there is a cast of men and women –  business people, philosophers, writers, political activists, religious leaders – who have shaped the extraordinary history of the Jews. It’s a story of survival, both physical and spiritual, against thousands of years of deeply ingrained oppression.

Jews did not have a nation state to call home, where they could properly defend themselves and seek asylum, until 1948. Until that time, the Jews had to live on the goodwill (of which there was next to none) of their host countries. They led precarious lives, especially in Christian Europe, where the Catholic Church’s Inquisition was in full flight. Being Jewish, you always had to be one step ahead of political developments. Nothing could be taken for granted. Basic rights could be taken at any time, humiliations meted out at any Christian’s whim or arbitrary expulsion from the host country.  When the Habsburg empress Maria Theresa decided to expell the Jews out of Prague, some 30,000 souls had to leave and find asylum in a hostile Europe.

To read this history of the Jews is to also read a history of anti-Semitism. The facts alone of how Jews were treated makes the reader draw breath in astonishment. The Christian imagination was deeply immersed in lurid fantasies of the Jews as demons and hobgoblins. The most persistent Christian belief was in a blood libel – the accusation that Jews kidnapped and killed Christian children, using their blood in Jewish rituals. Such ridiculous beliefs were upheld and promoted not just by the church’s hoi polloi, but by its leaders, priests and popes. No wonder pogroms against the Jews were so vicious.

Despite this, in the centuries leading up to the twentieth, Jews did make breakthroughs (although there was always the feeling that these advances were on shaky ground as irrational anti-Semitism could flare up at any time). Jews found some liberation in the ghettos of Venice, in 1616 the Dutch republic relaxed its rules and allowed the building of synagogues and in England Jews in the 18th and 19th centuries found some degree of acceptance. Of course one of the greatest countries for Jews would be the United States of America, with its guarantee of religious freedom.

Simon Schama writes a bustling, generous and witty history. He covers the general sweep of Jewish progress, but also has a fascination, even love, for the great characters of that story. His vivid descriptions of congested, busy life in the ghetto, its jostle of Jewish culture, food, dress and religious practice, brims with humanity. A book that weighs the triumph and tragedy of the Jews in equal measure, that celebrates as much as it commiserates.

Belonging: The Story of the Jews 1492 - 1900, by Simon Schama. Published by Jonathan Cape. ISBN: 9781847922816 RRP: $35

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Thursday, November 23, 2017

The Secret Life of Cows, by Rosamund Young

Staff review by Chris Saliba

Organic farmer Rosamund Young has been communicating with and observing her cows for decades. She reveals their secrets. 

Cows are integral to our food system. The dairy industry in Australia is worth some four billion dollars a year. Through science and other measures, cows have doubled their milk production over the last thirty years. Despite cows being so important, we remain ignorant about their intelligence and personalities. Popularly, cows are considered more as dumb and docile beasts.

Shining a light on these matters is farmer Rosamund Young, who runs Kite’s Nest Farm with her brother and partner. Kite’s Nest Farm produces beef and lamb from grass fed animals that are butchered and sold in the farm shop. Their philosophy is to let the animals run free, choose what plants and grasses they prefer to eat and socialise how they like. When the animals are allowed to live as they see best, their health is improved and they lead more contented lives. This regime has allowed Rosamund Young to observe cows (and other farm animals, including hens, pigs and lambs, of which she also writes) up close.

What she finds, essentially, is that cows behave pretty much like your much doted on household pet. They communicate by “mooing” and with their eyes, staring at you until they get what they want. Failing that they can simply refuse to move when requested. We learn that cows can recognise individual humans by their voices, love eating apples, like to be groomed, enjoy music and can make friends. In one touching description Young describes two young calves born at the same time that became instant friends, and friends for life. They constantly doted and looked after each other. Cows are even clever enough to ask for help if they have mastitis (a disease that affects their udders).

One of most fascinating claims of the book is that cows self-medicate by choosing particular plants to eat. Perhaps one day we shall consult cows when we have a medical problem.

Rosamund Young writes in lively, almost eccentric manner, referring to the way she “talks” to the cows and how they can understand her. The style veers almost towards P.G. Wodehouse (think of Empress the pig of the Blandings Castle novels). But I think there is a method in Young’s anthropomorphism: she really wants us to think of cows not as dumb units of economic production, but as inspired creatures with endlessly fascinating lives of their own. In this she achieves her brief.

The Secret Life of Cows, by Rosamund Young. Published by Faber. ISBN: 9780571336777  RRP:$19.99

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Thursday, November 16, 2017

The Hours Before Dawn, by Celia Fremlin

Staff review by Chris Saliba

Celia Fremlin's The Hours Before Dawn is a witty and sharply observed portrait of motherhood in 1950s Britain. 

Louise Henderson would do anything for a good night’s sleep. With three young children – Margery, Harriet and baby Michael – she is constantly juggling the demands of motherhood. It’s a thankless task, trying to keep a chaotic house in order. Mark, Louise’s husband, is not much help. When things get too much – the children are too loud or busy body neighbours drop in – he simply walks off. So harried and sleep deprived is Louise she seems constantly one step away from a nervous breakdown.

Into this domestic blizzard walks Vera Brandon. She has answered an advertisement that the Hendersons placed for a boarder. Miss Brandon is a classics teacher. Her cool and composed manner unnerves Louise. Odd things start to happen around the house and Louise’s suspicions about the lodger grow. When her baby Michael twice disappears, only to mysteriously reappear tucked up in bed at home, Louise wonders if she’s losing her mind. Or could it be part of Vera Brandon’s mysterious influence.

Published in 1958, The Hours Before Dawn was Celia Fremlin’s first novel. It’s written as a page-turning mystery, with its clever juxtoposition of a self-assured professional woman against an overworked suburban mum who’s brains are near scrambled. The real meat and potatoes of the story, however, is the unvarnished portrait of motherhood. Fremlin really takes the gloves off when it comes to describing every aspect of looking after a husband and three children in fifties Britain. She writes like she has a lot of get off her chest. That’s not to say that this is an angry book, but it is sharply observed, intelligently written and often very witty. It’s unique as a frank and fearless description of unappreciated motherhood. The only book like it is perhaps Christina Stead’s The Man Who Loved Children, but a more accessible version, without the operatics.

 A minor literary gem, to be relished for its intelligence and honesty.

The Hours Before Dawn, by Celia Fremlin. Published by Faber. ISBN: 9780571338122 RRP: $19.99

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Friday, November 10, 2017

The Cyberiad, by Stanislaw Lem

Staff review by Chris Saliba

A cast of wise cracking robots, electronic bards and storytelling machines discuss philosophy, physics, notions of free will, existence and cyber ethics. Endlessly brilliant, funny and innovative.

Stanislaw Lem’s 1965 book, The Cyberiad, is a work of fiction, but what type is hard to classify. For the most part it is the adventures – both physical and philosophical – of two ‘constructors’, Trurl and Klapaucius. They are builders of robots, smart machines and other electronic devices. The book starts with three stories featuring Trurl and Klapaucius, the middle section is called “The Seven Sallies of Trul and Klapaucius” and a last section of three stories brings The Cyberiad to an end.

The stories all consist of mad plots involving wise cracking robots, electronic bards, storytelling machines, lovesick princes, fussy bureaucrats and tyrant kings (one is named King Kroul, also known as “His Boundless Kroulty”.)  What elevates Lem’s fiction above all the rest is its sheer unbounded and uninhibited inventiveness. His prose, with its endless references to scientific phenomena, dances on the pin of a needle. It doesn’t matter that you don’t know the technical details of the language. In fact, perhaps Lem doesn't know either. He’s inordinately fond of creating so many nonsense words and expressions, his own buoyant vocabulary. Reading Lem you are taken for an exuberant intellectual, speculative and imaginative ride. For example, a computer tries to explain his history:

“A trillion years ago we were a civilization like any other. We believed in the transmittance of souls, the Virgin Matrix, the infallibility of Pi squared, looked upon prayer as regenerative feedback to the Great Programmer, and so on and so forth.”

Or try this wise cracking robot:

“Matrix-schmatrix. Look pal, I’m not just any beast. I’m algorithmic, heuristic and sadistic, fully automatic and autocratic, that means undemocratic, and I’ve got loads of loops and plenty of feedback so none of that back talk or I’ll clap you in irons, that means in the clink with the king, in the brig with the green gig, get me?”

This kind of talk goes on for 300 pages. Lem has his robots and humans constantly bounce ideas off each other, discussing philosophy, physics, notions of free will, existence and cyber ethics. Some of the longer passages read like a sci-fi Socratic dialogue. The Cyberiad is perhaps closest to Gulliver’s Travels in the often perilous journeys Trurl and Klapaucius take to other planets, where they are forced to evade the bad tempers of tyrants and must suffer the endless dead-ends of state bureaucracy. The stories all add up to a kind of existential comedy, an absurdist literature, an intergalactic theatre of ideas by a genuine genius.

Utterly brilliant!

The Cyberiad, by Stanislaw Lem. Published by Penguin. ISBN: 9780141394596 RRP: $24.99

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Wednesday, November 8, 2017

The Hawkline Monster: A Gothic Western, by Richard Brautifan

Staff review by Chris Saliba

Strange, brilliant, funny, original – The Hawkline Monster is a trippy classic from a great American writer.

Richard Brautigan is best known for this novels Trout Fishing in America and In Watermelon Sugar. Born in Tacoma, Washington in 1935, he eventually moved to San Francisco and became a part of the counter culture scene. Afflicted with alcoholism and mental health issues, he took his life at the age of forty-nine. During his short life he published many volumes of poetry and ten novels.

The year is 1902. Two killers for hire, Cameron and Greer, are procured by Magic Child, a fifteen year old Indian girl. She takes them to Oregon, to the house of Miss Hawkline. Upon meeting Miss Hawkline – a strangely tall, slender woman with long black hair – both men start to realise that Magic Child looks remarkably like Miss Hawkline. In fact, it turns out both women are twins. The young woman they knew as Magic Child, and who they thought was Indian, quickly becomes indistinguishable from her twin. The gunmen can no longer figure out who is Magic Child, or even if exists anymore.

The reason the men have been brought to this house, they learn, is to kill a dreaded monster living in the “ice caves” below the house. The monster has been accidently created by “the Chemicals”, a science experiment that the Hawkline sisters' father had been working on. They believe the monster has killed their father.

As the story progresses, it becomes clear that the monster, a mischievous and often comic character in his own right, has been messing with everyone's minds and creating havoc. The only answer is to kill the monster and then perhaps some sanity can be restored. But how to kill a monster created by a jar of unusual chemicals?

The plot sounds mad, ridiculous and completely unfathomable. Yes, it's all that. So many surreal and bizarre things happen, with the tone changing from the eerily mysterious to the outright comic, that the reader doesn't know what to think. And yet for all that the story holds its own internal logic and when the end comes, it all feels like an exhilarating if totally weird ride. It's hard to figure out what The Hawkline Monster is really about and perhaps it's best not to try! One thing can't be doubted: it's the work of a consummate original and is unforgettable.

The Hawkline Monster: A Gothic Western, by Richard Brautigan. Published by Canongate. ISBN: 9781786890429  RRP: $19.99

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Saturday, November 4, 2017

Inglorious Empire: What the British Did to India, by Shashi Tharoor

Staff review by Chris Saliba

Shashi Tharoor’s 250 year political, economic and moral history of the British in India.

In May 2015 Indian author and politician Shashi Tharoor gave a speech at the Oxford Union on the proposed topic, “Britain Owes Reparations to Her Former Colonies.” When he tweeted the speech it went viral. Amazed by the response, he decided to write a full length book addressing this very subject. Inglorious Empire: What the British Did to India is the result.

The British presence in India covers a period of some 250 years, from 1600 when the East India Company was first formed, to the achievement of independence in 1947. The 25 centuries in between is a dishonourable tale of looting, racism, political chicanery (including fomenting murderous hatreds between Muslims and Hindus), impoverishment and brutality. The British used India as a bank on which they could call for endless withdrawals, shipping enormous wealth back to the mother country. The British did this with an almost blithe spirit, fully confident in their racial superiority. Writes Tharoor, “The British ruled nineteenth-century India with unshakeable self-confidence, buttressed by protocol, alcohol and a lot of gall.”

Winston Churchill, lauded as a wartime leader, was overtly racist toward the Indians. He diverted grains from starving Indians to already well fed soldiers. Churchill felt Indian famines were the people’s own fault for “breeding like rabbits”, and when one of his officers tried to prod his conscience on the matter the glib response was, “why hasn’t Ghandi died yet?”.

Perhaps the most devastating indictment of the British in India was the Jalliawala Bagh massacre that killed 379 innocent people (that's the official estimate, the numbers could be higher). The man responsible, military sadist Brigadier General Reginald Dyer, got off with a censure by the House of Commons. Rudyard Kipling hailed him as “The Man Who Saved India” and a public campaign raised almost a quarter of a million pounds in today’s money for him.

You would think such a legacy would be cause for shame, but high numbers of the British feel Empire as something to be proud of.

It’s common to think of India as a poor country, and that it has always been that way. Tharoor goes through the statistics to show that before the arrival of the British in 1600, India was generating 23 percent of world GDP, while Britain’s share of global GDP was 1.8 percent. By 1940, India was considered a third world country.

In many ways, Inglorious Empire is a riposte to Niall Ferguson’s 2003 book, Empire, which lauded the achievements of the British. Tharoor provides an energetic critique of Ferguson’s views on the supposed benefits provided by the British Empire.

Inglorious Empire is an eye opener of a book, on a subject that doesn’t get much ventilation today. It is sure to educate, shock and stimulate deep reflection on our collective history under the British Empire.

Inglorious Empire: What the British Did to India, by Shashi Tharoor. Published by Scribe. ISBN: 9781925322576 RRP: $32.99

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Tuesday, October 31, 2017

North Melbourne Books November Newsletter - featuring Claire G. Coleman

In the November edition of the North Melbourne Books newsletter we talk to novelist Claire G. Coleman. Claire if from Western Australia and identifies with the South Coast Noongar people.

Terra Nullius is a powerful re-imagining of Australia's violent and oppressive past.

Jacky, a male youth, is on the run. He’s on the run from the Troopers, part of the colonial police force, well known for their human rights abuses.

This is a familiar Australian colonial narrative – invasion, brutality, dominance. Or so you would think. Half way through the novel, however, the reader learns that we are not reading about events that have happened in the past. The year is actually 2041 and something quite unthinkable has happened to Australia.

To view the latest edition of the North Melbourne Books newsletter, click here. To sign up for our monthly newsletter, click here.

North Melbourne Books talks to Claire G. Coleman

North Melbourne Books: Jacky, a male youth, is on the run from the colonial Troopers. He’s escaped Sister Bagra’s mission, where he’s been working essentially as a slave. He is pursued by Sergeant Rohan, well known for his cruelty and hatred of the Natives. This is a familiar Australian colonial narrative – invasion, brutality, dominance. Or so you would think, but half way through the novel it becomes clear we are not in colonial Australia. This is Australia in the near future.

Terra Nullius is both familiar and discombobulating, holding up a mirror to Australia’s
violent history. How did you get the idea for the plot?

Claire G. Coleman: In 2015 I was travelling through my Grandfather’s Country, to discover more about my past, to the town where he was born, Ravensthorpe Western Australia. When I was there I was invited, by the local historical society, to the opening for a memorial park, to memorialise the massacre that happened not far from the town. My ancestors’ extended family were swept up in that massacre, there were few survivors.

After that event I was left in a confused and unsettled state, I understood the brutality of
the invasion of Australia in a way I hadn’t before. I wanted everybody to be as unsettled
as me, as discombobulated (I love that word) as me, I wrote Terra Nullius in an attempt to
achieve that. The story and device I used to achieve that came to me in a rush, along with
the title. I can’t remember the moment it came to me, once it happened it was like it had
been there, in my head, forever.

NMB: Your novel really elicits the reader’s empathy. Every page makes you think and feel
deeply about what it must have been like for Indigenous people suffering colonisation.
What do you hope the reader will take away from the story?

CC: Empathy was all it was about. What I was thinking every moment I wrote, for every word I
placed in the story, “how do I provoke empathy”. I am glad my novel has elicited empathy,
for that was my intent and it is gratifying I if I have achieved any of that at all. I want
people to know how it felt to be colonised, or invaded. Maybe if people can understand
some of what it felt like to be invaded, dispossessed and oppressed they can help us all
bring an end to the colonisation that continues even today. I would love it if everyone who
reads Terra Nullius reacted by fighting with us to end racism, to stop Indigenous
disadvantage and maybe even bring about a treaty.

NMB: In the author’s notes for the novel you list some of your influences for Terra Nullius. The novel has a strong science fiction component. Do you have any favourite science fiction authors?

CC: I mostly love books, rather than authors. Frankenstein is one of the greatest books ever
written. It comes from a time when there was no such thing as the genres we speak of. It
was not horror, even though it had horrific elements, it was not sci-fi, although it had a
strong sci-fi bent – I believe it is more sci-fi than horror. It was literature, because all
books were.

The same can be said of War of the Worlds and 1984, by existing before the existence of
the genres as we know them they could use speculative elements without being shoe-
horned into “science fiction” or relegated to the “genre fiction” shelves. Sometimes the
genres and categories that are used for marketing seem somewhat arbitrary.

The authors I do love are those who blur the lines between science fiction and literature.
J. G. Ballard wrote in both Speculative Fiction and Literary Fiction and it seems to me that
he had no respect for the line between them. Sheri S. Tepper was shelved with Sci-fi early
in her career and got stuck there even though her works skirted close to and often crossed
the line between sci-fi and literature. Sometimes I have a hard time understanding why
Margaret Atwood, who I respect greatly, is in Literary Fiction and Sherri S. Tepper, who I
respect just as strongly, was always shelved in “genre fiction”

NMB: You wrote your novel while travelling around Australia in a caravan. What was that
experience like (it sounds like a whole other book!) and did it influence the writing

CC: Writing while travelling in a caravan is both easier and harder than most people would
imagine. It’s harder because there are things that eat your time and leave less time for the
actual writing. Every daily task takes longer than it does when not travelling and there are
the constant minor repairs to the car and caravan. Most of the time I travelled every day
which ate a big chunk of time just in itself. It’s easier because I didn’t have to look far for
inspiration, it was outside the windscreen all day, it was in the places I stopped and slept, it
was in the information plaques at historical sites, in the people I met. It was in the land

It was a massive and constant influence on the writing process and on the book. Most of
the characters are travelling for big chunks of the story, I didn’t even notice that when I
wrote it because travelling was my default state, it was completely normal. The
landscapes I travelled in were characters in the work as well as being analogous for the
emotional state of the story’s characters.

NMB: What books are you enjoying reading at the moment?

CC: I am a bit of a book monogamist, I don’t like trying to read more than one book at a time.
At the moment I am really enjoying Why I’m No Longer Speaking to White People About
Race by Renni Eddo-Lodge if “enjoying” is the right word with that book. It is not a
pleasant book, it is about an unpleasant topic, racism, but it is a very important book.
I have also started Common People by Tony Birch, being a collection of short stories I can
consume the book in smaller bites. The stories Tony revealed in that book illuminate the lives of people you might not normally speak to, the people whose stories are normally

Terra Nullius, by Claire G. Coleman. Published by Hachette. RRP: $29.99

Saturday, October 28, 2017

Deadly Kerfuffle, by Tony Martin

Staff review by Chris Saliba

Tony Martin's debut novel proves to be the perfect tonic for our anxious times.

All hell has broken loose in unassuming, suburban Dunlop Crescent. A family of radical Muslims have moved in. God knows what they're up to. Rumour has it that the Tamaki family are planning on turning their house on its axis so it faces Mecca. Local gossip Coral Stooles is spreading rumours and misinformation through the suburban streets as fast as her legs will carry her. Suspicions are being further stoked by the campy shock-jock Julian Spence. His inflammatory talk-back show continually refers to Dunlop Crescent as Terror Street.

But there is a problem. A big one. The Tamakis are not Muslims at all. They're rather quiet and unassuming Maoris. No one bothers to find out the facts of the matter and before long hysteria has taken over. The Tamakis' house is burnt to the ground. But who did it? Local resident and grumpy old man Gordon Berenger tries to find out. In the process he finds himself at the centre of a bomb plot involving some completely bonkers neo-Nazis.

Tony Martin's debut novel is a hair raising and hilarious ride through humdrum suburban Australia. It's an Australia that will be familiar to all, reflecting the nation's often misplaced anxieties and obsessions.

One of the great joys of the novel is its broad cast of characters, with all the usual suspects: nut jobs, curtain twitchers, rat bags, serial letter writers and opportunistic shock-jocks. And the occasional normal person.

Deadly Kerfuffle has a laugh on every page, it pokes fun at our weaknesses and vulnerabilities, while also being a celebration of Australian life.

Deadly Kerfuffle, by Tony Martin. Published by Affirm Press. ISBN: 9781925584448 RRP: $29.99

Release date 31st October

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Wednesday, October 25, 2017

Mrs M, by Luke Slattery

Staff review by Chris Saliba

Journalist and academic Luke Slattery has richly imagined the life of Elizabeth Macquarie, wife of early Australian governor Lachlan Macquarie.

1807. At the age of twenty-six Elizabeth Campbell marries Colonel Lachlan Maquarie, a man some twenty years her senior (and also a distant cousin). A mere two years later, in 1809, Maquarie is appointed governor of New South Wales. Elizabeth takes the perilous journey with her new husband to the other side of the world, leaving her native Scotland. What will she find? How will she cope?

Mrs M, by journalist and academic Luke Slattery, covers the period of Macquarie's governorship, from late 1809 to 1821. The novel opens with Elizabeth on the Scottish isle of Mull after she has buried Macquarie, spending a moody night of reverie recalling the major events of her life. There is the tumultuous journey, with its miserable cargo of convicts; the natural wonders of the new world, its flora and fauna; the indigenous people, notably the Aboriginal leader Bungaree and his wife, Gooseberry; and the politics of New South Wales, especially the rivalry and contempt between the convicts and free settlers.

Slattery's story has two main dramatic focuses. Firstly, the intense friendship between Elizabeth and the convict-architect Francis Greenway (his work is widely known and admired in Sydney today). Greenway was found guilty of fraud, narrowly escaped hanging and was sentenced to Botany Bay. In line with Macquarie's progressive policies, Greenway was given opportunities to pursue his talents and thus improve his lot. He started work as an architect for the colony, bringing him into close contact with Elizabeth and Macquarie. When Elizabeth and Francis learn of each other's joint passion for art and beauty, they develop an intense relationship that could almost be described as romantic.

The second subject the book deals with is the shabby treatment of Macquarie himself. The English Tory government of the time loathed Macquarie's progressive policies and determined to remove him. To that end Commissioner John Thomas Bigge was sent to write a report on Macquarie's running of the colony. It was a hatchet job right from the start. Aware of what was afoot, Macquarie quit. The three volume report that Bigge submitted and later published ruined Macquarie's reputation and his health. He died soon after.

Luke Slattery first tackled this subject matter in his short history, The First Dismissal (Penguin Special, 2015). In the author's note for Mrs M he writes that Elizabeth's voice came to him in a dream. Indeed, this is a wonderfully dreamy and elegantly written portrait of Elizabeth and her time in New South Wales. It has an aesthetic style, with its sensuous rhythms, reminiscent of the great 19th century literary stylist Walter Pater. Elizabeth's acute observations and sharp eye also recall Jane Austen (Austen's major works were written during the period the novel covers). Some historical novels can fail by sticking too close to the facts and not concentrating enough on character and psychology. Mrs M doesn't fall into this trap; Elizabeth has a richly imagined inner life. As Slattery explains in his author's note, he has mixed some of his own story with that of Elizabeth's, but in the hope of telling a larger truth about some aspects of Australia's history. Fact and fiction deliciously intertwine.

Mrs M is an immersive experience that you won't be able to put down, mixing Australian history with a forbidden love story, creating a literary journey to savour.

Mrs M, by Luke Slattery. Published by 4th Estate. ISBN: 9780732271817  RRP: $29.99

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Friday, October 20, 2017

So the Wind Won't Blow It All Away, by Richard Brautigan

Staff review by Chris Saliba

Richard Brautigan's last novel - a dreamy, hazy work of autobiographical fiction. 

Richard Brautigan is best known for this novels Trout Fishing in America and In Watermelon Sugar. Born in Tacoma, Washington in 1935, he eventually moved to San Francisco and became a part of the counter culture scene. Afflicted with alcoholism and mental health issues, he took his life at the age of forty-nine. During his short life he published many volumes of poetry and ten novels.

So the Wind Won’t Blow It All Away was Brautigan’s last published novel. A dreamy, hazy work of autobiographical fiction, it’s set in 1979. The narrator (who is never named) reminsces about several major personal events that happened in 1947, when he was twelve-years-old. The narrator’s troubles can all be traced to a single decision he made. Weighing up whether to spend his money on buying a burger from a local diner or on a box of bullets from a gun shop opposite, he settles on the latter. The narrator then invites his secret friend, named David, to an apple orchard where they can shoot at the apples. The secret friend is enormously popular at school and has a beautiful girlfriend. It’s almost tempting to think that he may be a figment of the narrator’s imagination, seeing no one knows about the friendship. While out shooting in the orchard, a terrible accident occurs, leaving the narrator to curse the day he decided not to buy a burger.

Having set up the plot’s teaser, the novel takes a while to get to the denouement, and inbetween we learn of various odd happenings in the narrator’s young life. Indeed, he several times admits that he is quite odd himself. Brautigan builds a nostalgic and idiosyncratic patchwork of his youth: a war veteran with only one lung who lives by a pond, the irrational fears of his mother, who continually fears seeping gas in their apartment, the eerie funeral parlour he lived next to as a child. The novel ends with a truly magic description of an unusual couple who bring their loungeroom furniture on a truck and set it up beside a pond. It’s all wonderfully surreal and hallucinatary. Brautigan is a master at evoking that time in our childhood when we are uncritical and imaginatively free, when the world around us imprints its every fleeting image onto us.

Witty, poetic, simply told and vividly imagined, So the Wind Won’t Blow It All Away is a deeply affecting original.

So the Wind Won’t Blow It All Away, by Richard Brautigan. Published by Canongate. ISBN: 9781786890467  RRP: $19.99

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Sunday, October 15, 2017

Terra Nullius, by Claire G. Coleman

Staff review by Chris Saliba

Claire G. Coleman's debut novel is a powerful re-imagining of Australia's violent and oppressive past.

Jacky, a male youth, is on the run. He’s on the run from the Troopers, part of the colonial police force, well known for their human rights abuses. Jacky has been working as a virtual slave at Sister Bagra’s religious mission. A mean woman who despises the Natives – she thinks them vile savages – Jacky has run away and is now trying to find his true home. Sergeant Rohan, a violent  and amoral man, is leading the chase.

Not all of the colonial masters, invaders, despise the Natives as lesser beings. A Trooper, Johnny Star, has absconded after being made to participate in a vile massacre. He is on the run from the colonial authorities.

A young woman, Esperance, is leading a group of Natives out into the desert. Their hope is to create a new beginning for themselves, out of the reach of the invaders. The invaders hate dry places, indeed can’t survive there, and so dry, remote places are their best chance.

This is a familiar Australian colonial narrative – invasion, brutality, dominance. Or so you would think. Half way through the novel, however, the reader learns that we are not reading about events that have happened in the past. The colonisers of the story are not the British. The year is actually 2041 and something quite unthinkable has happened to Australia.

By any measure, Claire G. Coleman’s Terra Nullius is mind blowing. By projecting Australia past into a speculative future narrative, Coleman holds an inescapable mirror up to the nation. She makes us confront the horrors of dispossession and genocide. The great achievement of the book is its empathetic power. The reader really feels the terror and desperation of being an occupied people, considered sub human. Setting the story in the future, with Australian society turned upside down,  explodes preconceived ideas about how to approach our colonial past and highlights that for many, the past is nowhere near over.

Terra Nullius, by Claire G. Coleman. Published by Hachette. ISBN: 9780733638312 RRP: $29.99

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Friday, October 13, 2017

Piglettes, by Clementine Beauvais

Staff review by Chris Saliba

The victims of online bullying take to the road, pedal to Paris and meet the president.

Three teenage girls – Mareille, Astrid and Hakima – have been voted their school’s ugliest in a Facebook poll. Parents and teachers have tried to intervene, but Malo, the wicked boy who set up the annual poll, won’t be pulled into line. The girls have two options, either fall in a heap, or keep their heads high and show that they are better than this. Mareille – who narrates their story – takes the lead and has an ingenious idea. The girls will ride their bikes to Paris to gatecrash a garden party the president is having. Not only that, they’ll attach a trailer to their bikes and sell sausages (vegetarian ones included) along the way. Soon enough the media is breathlessly following their road adventure and complete strangers are praising them. The girls, exhausted after a week of pedalling, enter Paris victorious.

What a joy this book is! Marielle’s voice throughout is perky, witty and super smart. She keeps the story zooming along at a cracking pace. The reader experiences the girl’s elation as they go from triumph to triumph (with admittedly some hurdles to be cleared along the way.) Original, inventive and wonderfully human, Piglettes will make you feel like anything is possible.

12 +

Piglettes, by Clementine Beauvais. Published by Pushkin Children's. ISBN: 9781782691204 RRP: $16.99

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